Gooch quit after our gig in Amarillo. He said he couldn’t deal with the shit anymore. It’s always the singer or drummer. It’s always the guitarist. It’s always someone when you’re strapped to a van, humping your gear back and forth across the country, waiting for a break—just for a fucking chance.
When I came back from loading up the van, Gooch and Jeff were arguing. Again.
“We have to reach out to everyone,” Gooch said. “I’m just the drummer. No one wants to talk to me.”
“I went to the merch table right after our set,” Jeff said.
“You were at the bar getting a drink.”
“We’re in a fucking bar. That’s what people do in bars.”
I’ve been listening to Gooch bitch about this for two weeks. It’s been a slow burn. You really get to know someone when you spend this much time with them. I found out he’s one of those guys who expects people to think like him and act without provocation. My mother, when she was still married, used to yell at my dad. “I’m not a mind reader,” she would say.
Laney came back with our advance from the promoter. She played guitar and acted as our manager. “One-hundred and fifty bucks,” she said.
“Gooch quit the band,” Jeff said.
“What?” Laney said.
Gooch didn’t say anything.
“Dude,” she said. “You gotta stay until New York.”
Gooch could be a dick to Jeff or me—but never to Laney.
He mumbled something and looked away.
Laney looked at Jeff. This was their band. They’d started it in Baltimore before moving to Philadelphia. Gooch was their seventh drummer. I met Jeff and Laney through him when their last bass player took a full-time job with an insurance company two weeks before the tour. I was in between bands and jumped on the chance to play again. It was in my blood and bones. Always had been. It was either do this or scrape by as a fucking bartender serving drunks, cleaning bathrooms, and mopping floors for the rest of my life.
It had to be this.
“Whose turn is it to drive?” I asked.
“I’ll drive,” Gooch said. “I haven’t had a drink tonight.” He said that like the proud owner of something found.
“Let’s find a motel and sleep it off,” Laney said. She took out her smartphone. Early on the tour, Jeff and I discovered we had the same beat-to-shit flip phone. We bonded over that and our mutual appreciation of Andy Kaufman, Mitch Hedberg, and Marc Maron.
“There’s a Motel 6 about twenty minutes away,” Laney said looking up from the screen.
“Give me your drink tickets,” I said to Gooch.
Jeff smoked. I used to. I took one from his pack and lit it and went to the bar. I pulled up a stool and ordered a stout and a whiskey. Sitting alone at the bar with a cigarette, chairs up, near darkness was about as much of a break as there was on the road. I’ll be twenty-nine at the end of the year and playing bass is the only thing I’m good at. Being a musician is the only thing I’ve ever wanted. I joined Qualia because they were a good band with a shit-ton of underground buzz. If I was going to make it, this was the best shot I’d ever had.
Tom Waits’ “Christmas Card from a Hooker in Minneapolis” came on the house system. I laughed to myself. It was almost too perfect. Sitting in Texas, in the middle of the night, far away from home, miles ahead, a band on the verge of breaking up, dreams slipping—sing it, Tommy.
***
Laney made peace between Jeff and Gooch and talked him into staying. There have been fights before. It would have been a miracle if we made it down the coast and out and back again without getting on each other’s nerves. But, no one had quit. I hoped that Gooch could ride it out for the rest of the tour. We had already done nine weeks. Three more shouldn’t kill him. But, time has a way of standing still when you’re rambling from town to town. It seemed like only a blink ago I was outside of my apartment with my bass and amp waiting for them to pick me up—it seemed like a lifetime ago.
I woke up first, showered, and walked across the parking lot to the gas station to buy a coffee. The sun was up and high and hot. The rest of the guys were getting ready. I went to the van, a used rental they picked up for two grand at an auction, courtesy of Laney’s uncle. I packed my bag away and sat in the driver’s seat. We had a gig in Santa Fe that night and needed to be there by five to load in our gear, and wait.
We still had an hour drive before we were out of Texas. The drive was lonesome. I thought that yesterday too. I never realized how small a town could be until I drove through Texas. The vastness of the landscape was intimidating and the small stretches of a main street, a gas station and a few odd shops, seemed to cower and disappear. If they were shook, they would roll over and turn up a breath of dust.
We crossed into New Mexico and traffic grew heavy as we approached Santa Fe. It was half past five when we found the club. We threw on the hazards. Laney went inside to sort out where we should load in. Gooch, Jeff, and I unloaded the van and stacked all the gear on the sidewalk. Gooch took the keys and went to find a parking space.
“What the fuck got in to him last night?” Jeff said. He took out a cigarette and tilted the pack towards me. I took one.
“He’s been like that since Jacksonville,” I said. “Going on about the same shit. I had to calm him down outside the club.”
“That’s what was wrong with him last week?” Jeff said, pushing his hair away from his face.
“I guess. He’s a funny dude. I didn’t think he was like that.”
“Laney and I thought you knew him. You were his friend.”
I leaned against the wall and slid down till my ass was on the ground.
Laney came outside. She was wearing shorts and hadn’t shaved in a couple of days. Legs like pepper. Everything’s got a bit more grit this close to the ground.
“We can load in through the front. Amps on the stage, drums, guitars, and keys backstage. We’re on at 10:30. Forty-five minute set,” Laney said.
“Oooh, a backstage,” Jeff said.
“I think it used to be a kitchen.”
“I’m hungry,” I said. “Let’s get this shit inside.”
I looked up at Laney and held my hands out like a toddler with a cigarette hanging from its mouth, “Mama?”
Laney pulled me up off the ground.
“You’re acting weird,” Jeff said.
“Perhaps it is the way you perceive me that is weird,” I said and flicked the cigarette into a ceramic pot filled with sand.
I was getting punchy. It wasn’t a long drive, but that much time in your own head can get to you after you’ve played to tens of adoring fans. It was a good thing Laney arranged for an advance last night. The promoter really fucked up by booking three out-of-town bands on a Thursday. We had a single in rotation on the college stations and some rock stations in most towns. Amarillo wasn’t one of them. We hadn’t been playing well the last few nights, and an empty floor doesn’t help the cause. Tonight had to be better. We needed it to be.
***
We started the tour with Lunchbox and Thermos. They were signed to a major label and the crowds were big, we played well, made fans. We’ve been on our own since Savannah and are meeting up with another band, Spectacular Death Extras, in San Francisco for a few dates. They have a huge single on the underground stations and a real catchy video online. We had to stay sharp and not get comfortable with just getting by. You always hear stories of bands that have been together for years and then break up the first week on tour.
We went to get some takeout from a Mexican joint around the corner. Gooch said he wasn’t hungry and stayed at the club.
Laney and I ordered food. Jeff ordered a margarita and shot of tequila.
He put back the shot as soon as it was poured.
“You gonna be all right?” Laney said.
“I’ll be fine,” Jeff said.
“We’ve got four hours still. We can drink after at the motel.”
“I’m thirsty now,” Jeff said with the straw between his teeth.
It started to become a chore lately making sure Jeff didn’t drink too much before we played. When that happens, he forgets the words or talks too much in between songs, slurring all over the goddamn place. We had to track him down a couple of times last week, minutes before we were about to go on. He drank the last half of the margarita in one long pull from the straw when our food was ready. We walked back to the venue and Gooch was sitting at the bar drinking a club soda.
Jeff walked up and slapped him on the back. “Gooooooch,” he said.
Gooch looked at us.
I shrugged my shoulders.
Jeff sat down next to him. “Listen man, I like you a lot. You’re a good guy,” he said and then ordered a beer.
I felt like telling him to cool it. I felt like it wasn’t my place.
“Last one,” Jeff said to us over his shoulder. “I promise.”
Jeff slid up closer to Gooch and started talking. He pulled out a cigarette and lit it.
Laney and I went backstage to eat our food and meet the other bands. Only one had shown up. They were a local rockabilly-bluegrass band playing a small circuit for the weekend. They called themselves the Cracker Rogers Gang.
We talked with them for a while about the scene in Santa Fe and where we could get a reload on some pot. Their violin player, a guy with a beard, was going to join us for our closing number. It was a ballad with an indie rock flare to it—whatever the fuck that means anymore. I played keyboard and bass on the song, which I liked because I got to show off. Jeff called it a country song. I thought it was a good song no matter what we called it.
***
The doors opened and the other two bands weren’t there. One called and said they broke down two hours away, and the other wasn’t responding. We got bumped to 9:30, playing after Cracker Rogers. The venue got their house blues band to play the rest of the night.
I sat with Jeff at the bar while Gooch gave his drums a last minute tune and Laney warmed up on her guitar.
“So now we’re opening for the house band?” Jeff said.
“Isn’t that the dream? Friday night, home before 11?” I said.
“Not my dream. No one wants to hear the blues dads play their hot licks.”
“Some people might. It’s still a Friday. Maybe we’ll move some merch since we won’t get shit from the door.”
“Your optimism is bring me down, Paul.”
“Just trying to stay positive,” I said. “We lost a step after Jacksonville.”
“Well, that happens when the promoters fuck up and fuck over the bands.” Jeff shook his head. “And when the drummer wants to quit.”
He flagged down the bartender and ordered a beer.
“Hey man,” I said and looked at his drink.
“We’re on in an hour,” he said. “I’m fine. I’ll be fine.”
***
Some people did show up. The Cracker Rogers Gang went on and played well. The room was half full with people sitting in booths and at the bar and shooting pool. Some were on the floor, here for the music. We set up as the other band broke down. We shared drums and amps so it’d be a smooth switch. Jeff set up the keyboards and wrapped white Christmas lights around the stands on both sides of the stage while we got in tune and set our levels. The soundman came over the monitors on the floor and asked each of us to test our instruments, one at a time. The bass was thunder and the drums were full and snapped.
We were on in two minutes. Jeff jumped off the stage and went to the bar. He came back with three beers. He put one in front of me and one in front of Laney and swallowed half of his. “Set beers,” he said and smiled. He grabbed the mic.
“Hey guys, we’re Qualia. Thanks for coming out.” He took another big drink. “Let’s get everyone up front. I want to see your faces. We’re at a rock show.” A few people moved forward. “There you go. You guys in the back, come on up, let’s get real close tonight.” His voice echoed clear throughout the room. He liked a good amount of reverb. Not Jim Morrison cathedral reverb, but enough to give depth, and a little more—just enough to keep the listener at an inviting distance.
More people came up front.
Jeff was persistent. “We drove all the way out here from Philadelphia to play for you and see you. Why are you hiding from us? Only our drummer bites. Promise.” We had half the room.
Jeff winked at Laney and she gave Gooch the nod. Click, click, click, click and we were off. We had to hit them with a power set, starting hard and fast and staying that way. The crowd didn’t want to be there. We had to prove them wrong—they were supposed to be there.
We tore through the first three numbers. Gooch and I were locked in, bass and drums laying it down. Laney’s guitar broke into syncopation with delayed melodic runs on top of the music. It created an edge and an atmosphere that gave a sense of warm danger. Jeff was on until the fifth song when he forgot the words and laughed. The audience laughed with him. When the song was over most of the crowd was up front and clapping. Jeff had been working on the other two beers during the few seconds between songs and during the intros.
He held up a beer to the audience. “Thanks guys. We’re Qualia from Philadelphia. We’ve got two more and then we want to come out there and meet you and hang out and drink with you. Stick around.”
He turned to us.
“Let’s do ‘Peoria,’” he said.
We hadn’t played that one since Cincinnati.
“Let’s stick to the set,” Laney said.
“We gotta move,” Gooch said.
“I’ll play guitar,” Jeff said.
We were wasting time. Laney relented. “Fine.”
She handed him the acoustic guitar and went to her keyboard.
Jeff spoke into the mic, “Hey guys, we’re gonna try something for you. Haven’t done it in a while but we think you’re gonna like it.”
The audience clapped and yelled. People like to see a band trade up instruments on stage. It adds to the mystique of the rock star—that not only are we up here playing, but that it’s easy for us and we can do whatever we want, that the audience is in capable hands.
Jeff started the song by himself and the chords were clumsy. He sang and his voice was clean and cut and emoted—almost enough to make up for the guitar. Laney started on the upbeat of four. I followed my ears and Jeff’s hands. The song was buried somewhere in me. I was just going to lay the root and lock in with the bass drum—keep it simple, and live to fight another day.
We plowed through the bridge and it didn’t sound bad. Laney and Gooch knew their parts. Jeff focused on his singing—which was good. The song needed a voice. All the great songs would fall apart without one. You’d never make it to the solo in Stairway if Plant sounded like shit. All the flutes in the world wouldn’t save it.
We finished the song and I nodded to our bearded friend from the bluegrass band. He climbed onstage as the audience’s applause died down. He plugged in and tuned up his violin.
Jeff took off the guitar and the headstock whacked into the mic stand—a loud clang of metal and wood. He handed it to Laney and picked up her electric.
“All right guys. Thanks for coming out. Stick around,” he said
Laney barely had the guitar on before Jeff counted off the song. I set up at the keyboard. My right hand on the keys and my left on my bass.
Jeff played a melodic line on the electric that I doubled on the keyboard. The violin entered and it was beautiful and I thought we’d make it out of the gig unscathed. The drums entered with my bass and Laney’s guitar.
Something was wrong.
A low bass note was out over the E chord. The song was in E. At the next pass I moved up an octave to another string. It was still out. I listened. It wasn’t me. I looked at Jeff. He was playing and singing and he looked at me sideways. I shook my head. Laney was playing, eyes down. Gooch could hear it and raised his eyebrows and then pounded harder as the song built.
Laney finally heard it. She looked up and kept chunking out the chords. It sounded bad. For three minutes that chord hit and I knew the audience could hear it and see it on our faces. The song ended with a crash on E and the violin player didn’t know it and his melody hung over the silence, but this guy was fucking good and he gave it a little more, and then a slow turnaround. Gooch and I picked it up and ended with him on a plaintive note, trying to salvage those last moments.
Jeff looked at Laney, not bothering to back away from the mic. “You’ve got to be fucking kidding me.”
When I came back from loading up the van, Gooch and Jeff were arguing. Again.
“We have to reach out to everyone,” Gooch said. “I’m just the drummer. No one wants to talk to me.”
“I went to the merch table right after our set,” Jeff said.
“You were at the bar getting a drink.”
“We’re in a fucking bar. That’s what people do in bars.”
I’ve been listening to Gooch bitch about this for two weeks. It’s been a slow burn. You really get to know someone when you spend this much time with them. I found out he’s one of those guys who expects people to think like him and act without provocation. My mother, when she was still married, used to yell at my dad. “I’m not a mind reader,” she would say.
Laney came back with our advance from the promoter. She played guitar and acted as our manager. “One-hundred and fifty bucks,” she said.
“Gooch quit the band,” Jeff said.
“What?” Laney said.
Gooch didn’t say anything.
“Dude,” she said. “You gotta stay until New York.”
Gooch could be a dick to Jeff or me—but never to Laney.
He mumbled something and looked away.
Laney looked at Jeff. This was their band. They’d started it in Baltimore before moving to Philadelphia. Gooch was their seventh drummer. I met Jeff and Laney through him when their last bass player took a full-time job with an insurance company two weeks before the tour. I was in between bands and jumped on the chance to play again. It was in my blood and bones. Always had been. It was either do this or scrape by as a fucking bartender serving drunks, cleaning bathrooms, and mopping floors for the rest of my life.
It had to be this.
“Whose turn is it to drive?” I asked.
“I’ll drive,” Gooch said. “I haven’t had a drink tonight.” He said that like the proud owner of something found.
“Let’s find a motel and sleep it off,” Laney said. She took out her smartphone. Early on the tour, Jeff and I discovered we had the same beat-to-shit flip phone. We bonded over that and our mutual appreciation of Andy Kaufman, Mitch Hedberg, and Marc Maron.
“There’s a Motel 6 about twenty minutes away,” Laney said looking up from the screen.
“Give me your drink tickets,” I said to Gooch.
Jeff smoked. I used to. I took one from his pack and lit it and went to the bar. I pulled up a stool and ordered a stout and a whiskey. Sitting alone at the bar with a cigarette, chairs up, near darkness was about as much of a break as there was on the road. I’ll be twenty-nine at the end of the year and playing bass is the only thing I’m good at. Being a musician is the only thing I’ve ever wanted. I joined Qualia because they were a good band with a shit-ton of underground buzz. If I was going to make it, this was the best shot I’d ever had.
Tom Waits’ “Christmas Card from a Hooker in Minneapolis” came on the house system. I laughed to myself. It was almost too perfect. Sitting in Texas, in the middle of the night, far away from home, miles ahead, a band on the verge of breaking up, dreams slipping—sing it, Tommy.
***
Laney made peace between Jeff and Gooch and talked him into staying. There have been fights before. It would have been a miracle if we made it down the coast and out and back again without getting on each other’s nerves. But, no one had quit. I hoped that Gooch could ride it out for the rest of the tour. We had already done nine weeks. Three more shouldn’t kill him. But, time has a way of standing still when you’re rambling from town to town. It seemed like only a blink ago I was outside of my apartment with my bass and amp waiting for them to pick me up—it seemed like a lifetime ago.
I woke up first, showered, and walked across the parking lot to the gas station to buy a coffee. The sun was up and high and hot. The rest of the guys were getting ready. I went to the van, a used rental they picked up for two grand at an auction, courtesy of Laney’s uncle. I packed my bag away and sat in the driver’s seat. We had a gig in Santa Fe that night and needed to be there by five to load in our gear, and wait.
We still had an hour drive before we were out of Texas. The drive was lonesome. I thought that yesterday too. I never realized how small a town could be until I drove through Texas. The vastness of the landscape was intimidating and the small stretches of a main street, a gas station and a few odd shops, seemed to cower and disappear. If they were shook, they would roll over and turn up a breath of dust.
We crossed into New Mexico and traffic grew heavy as we approached Santa Fe. It was half past five when we found the club. We threw on the hazards. Laney went inside to sort out where we should load in. Gooch, Jeff, and I unloaded the van and stacked all the gear on the sidewalk. Gooch took the keys and went to find a parking space.
“What the fuck got in to him last night?” Jeff said. He took out a cigarette and tilted the pack towards me. I took one.
“He’s been like that since Jacksonville,” I said. “Going on about the same shit. I had to calm him down outside the club.”
“That’s what was wrong with him last week?” Jeff said, pushing his hair away from his face.
“I guess. He’s a funny dude. I didn’t think he was like that.”
“Laney and I thought you knew him. You were his friend.”
I leaned against the wall and slid down till my ass was on the ground.
Laney came outside. She was wearing shorts and hadn’t shaved in a couple of days. Legs like pepper. Everything’s got a bit more grit this close to the ground.
“We can load in through the front. Amps on the stage, drums, guitars, and keys backstage. We’re on at 10:30. Forty-five minute set,” Laney said.
“Oooh, a backstage,” Jeff said.
“I think it used to be a kitchen.”
“I’m hungry,” I said. “Let’s get this shit inside.”
I looked up at Laney and held my hands out like a toddler with a cigarette hanging from its mouth, “Mama?”
Laney pulled me up off the ground.
“You’re acting weird,” Jeff said.
“Perhaps it is the way you perceive me that is weird,” I said and flicked the cigarette into a ceramic pot filled with sand.
I was getting punchy. It wasn’t a long drive, but that much time in your own head can get to you after you’ve played to tens of adoring fans. It was a good thing Laney arranged for an advance last night. The promoter really fucked up by booking three out-of-town bands on a Thursday. We had a single in rotation on the college stations and some rock stations in most towns. Amarillo wasn’t one of them. We hadn’t been playing well the last few nights, and an empty floor doesn’t help the cause. Tonight had to be better. We needed it to be.
***
We started the tour with Lunchbox and Thermos. They were signed to a major label and the crowds were big, we played well, made fans. We’ve been on our own since Savannah and are meeting up with another band, Spectacular Death Extras, in San Francisco for a few dates. They have a huge single on the underground stations and a real catchy video online. We had to stay sharp and not get comfortable with just getting by. You always hear stories of bands that have been together for years and then break up the first week on tour.
We went to get some takeout from a Mexican joint around the corner. Gooch said he wasn’t hungry and stayed at the club.
Laney and I ordered food. Jeff ordered a margarita and shot of tequila.
He put back the shot as soon as it was poured.
“You gonna be all right?” Laney said.
“I’ll be fine,” Jeff said.
“We’ve got four hours still. We can drink after at the motel.”
“I’m thirsty now,” Jeff said with the straw between his teeth.
It started to become a chore lately making sure Jeff didn’t drink too much before we played. When that happens, he forgets the words or talks too much in between songs, slurring all over the goddamn place. We had to track him down a couple of times last week, minutes before we were about to go on. He drank the last half of the margarita in one long pull from the straw when our food was ready. We walked back to the venue and Gooch was sitting at the bar drinking a club soda.
Jeff walked up and slapped him on the back. “Gooooooch,” he said.
Gooch looked at us.
I shrugged my shoulders.
Jeff sat down next to him. “Listen man, I like you a lot. You’re a good guy,” he said and then ordered a beer.
I felt like telling him to cool it. I felt like it wasn’t my place.
“Last one,” Jeff said to us over his shoulder. “I promise.”
Jeff slid up closer to Gooch and started talking. He pulled out a cigarette and lit it.
Laney and I went backstage to eat our food and meet the other bands. Only one had shown up. They were a local rockabilly-bluegrass band playing a small circuit for the weekend. They called themselves the Cracker Rogers Gang.
We talked with them for a while about the scene in Santa Fe and where we could get a reload on some pot. Their violin player, a guy with a beard, was going to join us for our closing number. It was a ballad with an indie rock flare to it—whatever the fuck that means anymore. I played keyboard and bass on the song, which I liked because I got to show off. Jeff called it a country song. I thought it was a good song no matter what we called it.
***
The doors opened and the other two bands weren’t there. One called and said they broke down two hours away, and the other wasn’t responding. We got bumped to 9:30, playing after Cracker Rogers. The venue got their house blues band to play the rest of the night.
I sat with Jeff at the bar while Gooch gave his drums a last minute tune and Laney warmed up on her guitar.
“So now we’re opening for the house band?” Jeff said.
“Isn’t that the dream? Friday night, home before 11?” I said.
“Not my dream. No one wants to hear the blues dads play their hot licks.”
“Some people might. It’s still a Friday. Maybe we’ll move some merch since we won’t get shit from the door.”
“Your optimism is bring me down, Paul.”
“Just trying to stay positive,” I said. “We lost a step after Jacksonville.”
“Well, that happens when the promoters fuck up and fuck over the bands.” Jeff shook his head. “And when the drummer wants to quit.”
He flagged down the bartender and ordered a beer.
“Hey man,” I said and looked at his drink.
“We’re on in an hour,” he said. “I’m fine. I’ll be fine.”
***
Some people did show up. The Cracker Rogers Gang went on and played well. The room was half full with people sitting in booths and at the bar and shooting pool. Some were on the floor, here for the music. We set up as the other band broke down. We shared drums and amps so it’d be a smooth switch. Jeff set up the keyboards and wrapped white Christmas lights around the stands on both sides of the stage while we got in tune and set our levels. The soundman came over the monitors on the floor and asked each of us to test our instruments, one at a time. The bass was thunder and the drums were full and snapped.
We were on in two minutes. Jeff jumped off the stage and went to the bar. He came back with three beers. He put one in front of me and one in front of Laney and swallowed half of his. “Set beers,” he said and smiled. He grabbed the mic.
“Hey guys, we’re Qualia. Thanks for coming out.” He took another big drink. “Let’s get everyone up front. I want to see your faces. We’re at a rock show.” A few people moved forward. “There you go. You guys in the back, come on up, let’s get real close tonight.” His voice echoed clear throughout the room. He liked a good amount of reverb. Not Jim Morrison cathedral reverb, but enough to give depth, and a little more—just enough to keep the listener at an inviting distance.
More people came up front.
Jeff was persistent. “We drove all the way out here from Philadelphia to play for you and see you. Why are you hiding from us? Only our drummer bites. Promise.” We had half the room.
Jeff winked at Laney and she gave Gooch the nod. Click, click, click, click and we were off. We had to hit them with a power set, starting hard and fast and staying that way. The crowd didn’t want to be there. We had to prove them wrong—they were supposed to be there.
We tore through the first three numbers. Gooch and I were locked in, bass and drums laying it down. Laney’s guitar broke into syncopation with delayed melodic runs on top of the music. It created an edge and an atmosphere that gave a sense of warm danger. Jeff was on until the fifth song when he forgot the words and laughed. The audience laughed with him. When the song was over most of the crowd was up front and clapping. Jeff had been working on the other two beers during the few seconds between songs and during the intros.
He held up a beer to the audience. “Thanks guys. We’re Qualia from Philadelphia. We’ve got two more and then we want to come out there and meet you and hang out and drink with you. Stick around.”
He turned to us.
“Let’s do ‘Peoria,’” he said.
We hadn’t played that one since Cincinnati.
“Let’s stick to the set,” Laney said.
“We gotta move,” Gooch said.
“I’ll play guitar,” Jeff said.
We were wasting time. Laney relented. “Fine.”
She handed him the acoustic guitar and went to her keyboard.
Jeff spoke into the mic, “Hey guys, we’re gonna try something for you. Haven’t done it in a while but we think you’re gonna like it.”
The audience clapped and yelled. People like to see a band trade up instruments on stage. It adds to the mystique of the rock star—that not only are we up here playing, but that it’s easy for us and we can do whatever we want, that the audience is in capable hands.
Jeff started the song by himself and the chords were clumsy. He sang and his voice was clean and cut and emoted—almost enough to make up for the guitar. Laney started on the upbeat of four. I followed my ears and Jeff’s hands. The song was buried somewhere in me. I was just going to lay the root and lock in with the bass drum—keep it simple, and live to fight another day.
We plowed through the bridge and it didn’t sound bad. Laney and Gooch knew their parts. Jeff focused on his singing—which was good. The song needed a voice. All the great songs would fall apart without one. You’d never make it to the solo in Stairway if Plant sounded like shit. All the flutes in the world wouldn’t save it.
We finished the song and I nodded to our bearded friend from the bluegrass band. He climbed onstage as the audience’s applause died down. He plugged in and tuned up his violin.
Jeff took off the guitar and the headstock whacked into the mic stand—a loud clang of metal and wood. He handed it to Laney and picked up her electric.
“All right guys. Thanks for coming out. Stick around,” he said
Laney barely had the guitar on before Jeff counted off the song. I set up at the keyboard. My right hand on the keys and my left on my bass.
Jeff played a melodic line on the electric that I doubled on the keyboard. The violin entered and it was beautiful and I thought we’d make it out of the gig unscathed. The drums entered with my bass and Laney’s guitar.
Something was wrong.
A low bass note was out over the E chord. The song was in E. At the next pass I moved up an octave to another string. It was still out. I listened. It wasn’t me. I looked at Jeff. He was playing and singing and he looked at me sideways. I shook my head. Laney was playing, eyes down. Gooch could hear it and raised his eyebrows and then pounded harder as the song built.
Laney finally heard it. She looked up and kept chunking out the chords. It sounded bad. For three minutes that chord hit and I knew the audience could hear it and see it on our faces. The song ended with a crash on E and the violin player didn’t know it and his melody hung over the silence, but this guy was fucking good and he gave it a little more, and then a slow turnaround. Gooch and I picked it up and ended with him on a plaintive note, trying to salvage those last moments.
Jeff looked at Laney, not bothering to back away from the mic. “You’ve got to be fucking kidding me.”